Web of Wonder
What I post I do not own unless otherwise stated.
About Me:
I'm a Graphic designer based in Toronto. I spend most of my time reading up on design, web and recently business books. When I'm not reading, I'm surfing the web for resources to expand my knowledge. When I'm not doing all that I'm volunteering in my local community or spending time with family/friends.
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amazing. Check out Sophiamonique & follow her Illustration & Art too! www.facebook.com/sophiamonique.art xx
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Winged Tapestries: Moths at Large, a special exhibition of oversized prints by Canadian artist Jim des Rivière
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Arianne Martell - Chanel Haute Couture fall 2010
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There’s a word for that, The Emotionary
RIP to legendary Tanzanian Taarab singer Fatma binti Baraka, popularly known as Bi Kidude, who passed away on April 17th, 2013, at her home on the island of Zanzibar. She is believed to have surpassed 100 years of age.
As a child, she was singled out for her fine voice and, in the 1920s, sang locally with popular cultural troupes, combining an understanding of music with an equally important initiation into traditional medicine.
At age 13, after a forced marriage she fled Zanzibar to mainland Tanzania. Bi Kidude toured mainland East Africa with a taarab ensemble, visiting the major coastal towns and inland as far west as Lake Victoria and Tanganyika.
She walked the length and the breadth of the country barefoot in the early 1930s fleeing another unhappy marriage. In the 1930s she ended up in Dar es Salaam where she sang with Egyptian Taarab group for many years. In the 1940s she returned to Zanzibar where she acquired a small mud hut to be her home.
She is known for her role in the Unyago movement which prepares young Swahili women for their transition through puberty. She is one of the experts of this ancient ritual, performed only to teenage girls, which uses traditional rhythms to teach women to pleasure their husbands, while lecturing against the dangers of sexual abuse and oppression.
(source)
Just a few selections from Hong Yi’s “31 days of creativity with food!”
She’ll be starting a whole new 30 day project soon, and you can see more at her Instagram @redhongyi.
Awesomely Creative Food Play Photos
via Ignant
AmoeBAND became a 2012 IDEA Award Finalist by innovating every possible aspect of the plaster (band aid).
The design revisions were:
- Strategic cut-outs shape to fit fingers in such a way that it is easy to bend them and not disrupt the bandage.
- An intelligent dressing material allows you to regularly check wounds from the outside, without upsetting the healing process.“According to research, the when an infection of a wound is detected, the pH value is between 6.5 and 8.5. AmoeBAND’s indicator cross turns purple, alerting the user needs to change it immediately.”
- Since the bandage material used exudes a leather-like feel, availability in different skin-tones helps it blend in, without overly highlighting the injury.
- The packaging has been redesigned to a matchbox style and includes Braille instructions.
Hat tip to designers Tay Pek-Khai, Hsu Hao-Ming, Tsai Cheng-Yu, Chen Kuei-Yuan, Chen Yi-Ting, Lai Jen-Hao, Ho Chia-Ying, Chen Ying-shan, Weng Yu-Ching, and Chung Kuo-Ting
it’s always funny when people improve on something and you look at the innovations and it’s like so fucking obvious what needed to be changed, but yet no one seemingly thought of it until then, yourself included
Innovations like this are so simple and elegant that they’re beautiful
this is fantastic on so many levels
(via alexd86)
Mondrian and Rothko, Modern Art Desserts
(via ninuile, naturalafrohair)
I think we all need a reminder today that the human race isn’t all bad.
(via mybiggerinfinity)
Worst Client Comments Turned Into Posters
Architectural Density in Hong Kong
With seven million people, Hong Kong is the 4th most densely populated places in the world. However, plain numbers never tell the full story. In his ‘Architecture of Density’ photo series, German photographer Michael Wolf explores the jaw-dropping urban landscapes of Hong Kong. He rids his photographs of any context, removing any sky or horizon line from the frame and flattening the space until it becomes a relentless abstraction of urban expansion, with no escape for the viewer’s eye. Infinite and haunting.
Editor’s Note: Co-signed.
incredible
(via eclecticthreads)
(via alexd86)
- Anyone intending to embark on a major work should be lenient with himself and, having completed a stint, deny himself nothing that will not prejudice the next.
- Talk about what you have written, by all means, but do not read from it while the work is in progress. Every gratification procured in this way will slacken your tempo. If this regime is followed, the growing desire to communicate will become in the end a motor for completion.
- In your working conditions avoid everyday mediocrity. Semi-relaxation, to a background of insipid sounds, is degrading. On the other hand, accompaniment by an etude or a cacophony of voices can become as significant for work as the perceptible silence of the night. If the latter sharpens the inner ear, the former acts as a touchstone for a diction ample enough to bury even the most wayward sounds.
- Avoid haphazard writing materials. A pedantic adherence to certain papers, pens, inks is beneficial. No luxury, but an abundance of these utensils is indispensable.
- Let no thought pass incognito, and keep your notebook as strictly as the authorities keep their register of aliens.
- Keep your pen aloof from inspiration, which it will then attract with magnetic power. The more circumspectly you delay writing down an idea, the more maturely developed it will be on surrendering itself. Speech conquers thought, but writing commands it.
- Never stop writing because you have run out of ideas. Literary honour requires that one break off only at an appointed moment (a mealtime, a meeting) or at the end of the work.
- Fill the lacunae of inspiration by tidily copying out what is already written. Intuition will awaken in the process.
- Nulla dies sine linea [‘No day without a line’] — but there may well be weeks.
- Consider no work perfect over which you have not once sat from evening to broad daylight.
- Do not write the conclusion of a work in your familiar study. You would not find the necessary courage there.
- Stages of composition: idea — style — writing. The value of the fair copy is that in producing it you confine attention to calligraphy. The idea kills inspiration, style fetters the idea, writing pays off style.
- The work is the death mask of its conception.
